江南style是什么意思？

江南style，（朝鲜语：강남 스타일，英语：Gangnam Style）是韩国歌手PSY的一首单曲，于2012年7月15日发布。歌名“江南style”来自韩国俚语，指首都首尔一个富裕和时尚的地区——江南区的豪华生活方式。PSY在音乐影片中跳着模仿骑马动作的滑稽舞步，取景都在江南区的各处地点，例如桑拿室、马房、旅游巴士等。即使歌曲取材自韩国的本土文化，对其文化背景不熟识的西方国家亦越来越流行，并引起了国际媒体关注。

《江南style》（Gangnam Style）是一支由韩国歌手朴载相（音）于7月中旬左右通过网络发行的歌曲，在这支单曲的MV在发行之初，它便被朴载相的团队officalpsy上传到了youtube。　在接下来的两个月里，美国流行乐明星在推特（twitter）上对这支MV的疯狂追捧，以及网友们的疯狂模仿使得朴载相和他的江南style很快成为美国家喻户晓的红人与红歌。这支打破世界吉尼斯记录之MV在线播放点击量的单曲，在发行短短两个月中已经被播放了3.2亿次，而这个数据正在被更新一批寻找大脑皮层刺激点的网民所刷新。

江南style歌词的大致意思是：“嘿，哥们儿我是江南区的型男（当中重复N遍这个意思），哥们儿我是男子汉，看似稳重却很懂得玩乐的男子汉，是思想比肌肉更加发达的男子汉，（接着男子汉在歌中呼唤100遍）小妞，性感的小妞，火热的小妞，看似文静却很懂得玩乐的小妞喂……　”

江南Style MV

韩国歌曲《江南Style》走红全球，为演唱这首歌的PSY带来了丰厚的收入。据韩国媒体统计，《江南Style》为PSY带来了至少100亿韩元(约5000万人民币)的收入。但是PSY本人澄清说，其实自己并没有收入那么多，真正进自己腰包的钱还是挺少的。

PSY的巨额收入主要来自下载、唱片、演唱会、广告这四大来源。其中下载收入约为3亿6000万韩元(约200万人民币)，唱片收入也在3亿韩元(约170万人民币)左右。此外在线收听也为psy带来了4000万韩元(约22万人民币)的收入。本月11日PSY在首尔综合运动场举行的个人演唱会吸引了3万名观众，带来了约30亿韩元(约1700万人民币)的收入。而收入的重头戏——广告，令PSY将40亿韩元(约2200万人民币)收入囊中。据悉，PSY出演一部广告的酬劳大约是4亿到5亿韩元，而《江南Style》走红后，PSY接拍的广告数猛增，目前已超过10个。

金泫雅版鸟叔PSY江南style最新版MV

江南Style女生版

江南style为什么会火?

在紧迫生活和重复的规律生活中，拿出简单幽默和个性化的生活态度来挑战人们的日常认知规律，在出名之前有时候会给一些人心理上破坏规律的不正经感觉，从而排斥它，但一部分人会试着去接受这种不正经感的挑战而来释放自己生活的压力，在出名之后以前的那些不接受的人们也在暗示自己是否是跟不上潮流或者自己的问题，然后试着跟着这种名气去接受。

江南style原版MV视频高清中文字幕

江南style美女版水晶宫啦啦队

1.标准化的流行音乐产品使得大众的精神涣散以及听觉退化

根据阿多诺的流行音乐接受理论 ，面对文化工业产品，消费者所能采取的姿态只能是消极被动的接受，他们失去了任何抵抗的能力。对于听众接受方面的思考，阿多诺是从这样两个假定开始的：第一，流行音乐建构了一种“阉割符号体系”;第二，音乐人(以及所有的大众文化生产者)与听众(以及所有的大众文化的接受者)的关系是一种施虐与受虐的关系。被流行音乐最初呼唤、然后喂养并不断强化的心灵结构，同时也是精神涣散与漫不经心之所，通过不需要凝神专注的娱乐，听众被这种现实要求搞得分心分神了。而在收听标准化与伪个性化的流行音乐中，人们一方面只认同熟悉的曲段而拒绝陌生的东西，一方面又养成了一种精神涣散与漫不经心的听赏习惯，如此这般地长期与流行音乐耳鬓厮磨，人们感受音乐的能力势必下降。就像经常看通俗读物的读者在真正的艺术作品面前已经无动于衷那样。在长久的社会文化浸泡中，你，还保有看到梵高画及听到贝多芬交响曲的震撼感吗?习惯了这些雷人神曲与卖丑偶像，那些真正的美好还能感受到吗?

2.所有人都在听，不听你就脱离群体了!

群体效应是指个体形成群体之后，通过群体对个体约束和指导，群体中个体之间的作用，就会使群体中的一群人，在心理和行为上发生一系列的变化。广大人民群众喜闻乐见呗!如果有人问你听过神曲吗?没听过?那就查一下中美视觉文化传播有限公司，不然别人知道自己知道多out!如果你不想查，那也无所谓，很多歌，不是你想不听就不听的!当街边的小店和路边的广播甚至隔壁的二大叔都在放着神曲时，你的耳朵已经被强奸到不得不会跟着哼几句了!想不知道都难!在这种夹击下，你还能不听吗?

3.你看到那些我喜欢的偶像都推荐这首歌吗?

偶像效应指的是某些人在部分领域做的非常优秀，有很多粉丝从而引出的系列反应。球星是偶像，影星是偶像，以一首毫无深度的通俗流行乐成名的网络歌手也是偶像。人们被这种种浮华的假象迷惑。用一种盲目的崇拜疯狂的进行着“追星运动”，偶像有着非同凡响的号召力。一双普通的运动鞋加之以偶像用一个迷人的微笑去代言。销量则一跃千里，蒸蒸日上。他们的商业价值简直不可估量。一件偶像穿过的旧外衣，一条偶像用过的旧毛巾，竟被一群无知的FANS们挣的你死我活。为了收藏这样一件纪念品，往往要付出令人们目瞪口呆的价钱。布兰妮、凯蒂·佩利、T-Pain、罗宾·威廉姆斯等世界级歌手都在听鸟叔的歌?快!偶像支持的就是我们支持的，跟偶像看齐，一起加入鸟叔的粉丝大军。

4.看搞笑视频满足优越感和安全感

我们的社会中，其实绝大部分的人的欲求状态都处于欲求不满，意识中都有希望达到的愿望。 当看到一些人出丑的时候，是否有想笑的冲动?人在出洋相的时候，是处于一种失败的境地，别人的失败，会使自己产生一种优越感和一种安全感，因为你的潜意识中会判定他对自己没有威胁，相应还会产生一种惺惺相惜的感觉。因为自己也可能出现过相同的情形，这种种感觉会使自己不自觉地认同他，接受他，对他的出丑会心一笑。有时适当犯点小错误，表现出点自己的不足，也许就能得到他人的一种认同。

PSY江南style插图

红塔仙人官方博客：http://blog.sina.com.cn/tuyagongchang

老中医MV”姐是老中医，专治吹牛逼”

屌丝英雄动画MV

屌丝英雄是歌手花粥的《屌丝之歌》升级版，平凡的屌丝也是另一种英雄。

屌丝英雄歌词

我说兄弟呀你最近还过得好不好
是否还是每天撸呀撸到睡着了
工作的事你也别总是苦恼
不如唱着小歌喝点小酒来几个小炒

别人笑我太疯癫呀么
其实我看你们也都不要脸
人活着不是只剩下钱
还有那最初的愿望和信念
日子又过了一天天
我的理想还埋在土里面
自古真英雄在民间
传说平凡的屌丝最后会逆天

我说宝贝呀你怎么啦又闹情绪啦
我曾答应要给你个温暖的家
将来我也想送你两朵花
一朵是有钱花一朵是随便花
别人笑我太疯癫呀么
其实我看你们也都不要脸
人活着不是只剩下钱
还有那最初的愿望和信念

日子又过了一天天
我的理想还埋在土里面
自古真英雄在民间
传说平凡的屌丝最后会逆天
日子又过了一天天
我的理想还埋在土里面
解放区的天是晴朗的天
我们解放区的屌丝要逆天

红塔仙人动漫：大龄文艺女青年之歌MV

我要结婚苦B男青年之歌MV川子

仙人的原创动画》》

曲婉婷，原创音乐人，签约于加拿大Nettwerk音乐公司的首位华人女歌手。

曲婉婷的歌声悦耳动听，深受广大音乐爱好者的喜爱。作为加拿大顶尖的音乐公司，Nettwerk成立26年来从没签约华人歌手，不过这一历史在去年底被一个26岁的哈尔滨女孩改写：2009年11月，从哈尔滨走出的曲婉婷正式签约Nettwerk。紧接着，由她创作的《我的歌声里》等3首歌曲被奔驰公司选中、在世界各地播放。2011年，该曲被百度旗下高清视频网站的自制剧《在线爱》选为主题曲，并制作了剧情版MV，整首歌旋律婉转，声音高亢，在高潮部分，

“你存在，我深深的脑海里，我的梦里，我的心里，我的歌声里”引起了许多人的共鸣与感慨。曲婉婷作为公司签约的第一个华人女歌手，公司给她的定位是亚洲市场、北美市场一起闯。今年开始，曲婉婷也频频跟国内的音乐人接触，其中让她印象最深的是国内著名音乐人张亚东。

听到“曲婉婷”这个名字，给人的第一感觉是她是个温婉、文静型的女孩。而在交流过程中，给人感受更多的是她的独立。由于忙着制作新专辑和到纽约等地演出，采访只能见缝插针地进行，有时是凌晨，有时是午夜。不过曲婉婷明显已经习惯了这种忙碌的生活，而且一点儿都不觉得苦，用她的话来说：“跟以前我为音乐做出的努力相比，这点不值一提。”

我的歌声里 MP3

《我的歌声里》

词曲唱：曲婉婷

没有一点点防备，也没有一丝顾虑
你就这样出现在我的世界里，带给我惊喜，情不自已
可是你偏又这样
在我不知不觉中
悄悄的消失
从我的世界里，没有音讯，剩下的只是回忆
你存在，我深深的脑海里，我的梦里，我的心里，我的歌声里
你存在，我深深的脑海里，我的梦里，我的心里，我的歌声里
还记得我们曾经，肩并肩一起走过，那段繁华巷口
尽管你我是陌生人，是过路人
但彼此还是感觉到了对方的
一个眼神，一个心跳….
一种意想不到的快乐，好像是
一场梦境，命中注定
你存在，我深深的脑海里，我的梦里，我的心里，我的歌声里
你存在，我深深的脑海里，我的梦里，我的心里，我的歌声里
世界之大为何我们相遇
难道是缘分
难道是天意…
你存在，我深深的脑海里，我的梦里，我的心里，我的歌声里
你存在，我深深的脑海里，我的梦里，我的心里，我的歌声里
你存在，我深深的脑海里，我的梦里，我的心里，我的歌声里

我的歌声里歌词

回音哥翻唱 我的歌声里 我是传奇视频

A certain amount of care or pain or trouble is necessary for every man at all times. A ship without a ballast is unstable and will not go straight. (Arthur Schopenhauer. Geman philosopher)

Ipad的神话让一大批It厂商垂涎复制，TouchPad的夭折，Playbook的滞销，Xoom的遍体鳞伤才让大家慢慢意识到苹果的地位难以撼动。这不微软也欲欲跃试企图分一杯羹，Surface能扭转这种非死即伤的颓势吗？Ipad真的伤不起~本文试图结合一则“农业重金属”MV广告大片，从另一角度给这些厂商支招，兴许开辟出一条新的屌丝市场也未可知呢。

从营销角度：

营销学是用来辨识未被满足的需要，定义、量度目标市场的规模和利润潜力，找到最适合企业进入的市场细分和适合该细分的市场供给品。“接地气”是营销策划的关键因素，合理化与可操作才会避免“空”的市场营销。这则广告大片在接地气方面主要有这几种出色表现：（1）美女摆拍。（2）有沟必火。（3）融入生活。（4）情感演示。（5）劲爆热舞。（6）屌丝说唱。在这六大要素中，其中的最亮点应该算是“屌丝说唱”了，当墨镜屌丝男出镜的那一刹那，立刻拉近屌丝之间彼此的距离！你若安好，便是晴天；你若不安好，还是晴天！

从哲学角度：

回到开篇的话，这首MV广告大片还体现出了深刻的哲学内涵。“我们观察世界，到处都充满痛苦，都原于生活本身之需要，且不可分离。”这是叔本华著名的极端悲观主义价值观，如果心灵屈从于器官、欲望和冲动的压抑，则与“伤”得益彰；如果意志的支配最终只能导致虚无和痛苦，那么确实“不起”。把人们引向艺术和科学的最强烈的动机之一，是要逃避日常生活中令人厌恶的粗俗和使人绝望的沉闷，是要摆脱人们自己反复无常的欲望的桎梏。最强有力的阻碍人们发现真理的障碍，并非是事物表现出的、使人们误入迷途的虚幻假象，甚至也不直接地是人们推理能力的缺陷。相反，是在于人们先前接受的观念，在于偏见。这些虚假的先验之物—对抗着真理。它们就好像是把船只吹往与惟一的陆地相反方向的逆风。对此，船橹和风帆是无能为力的!“你的身边辣妹很多，而你偏偏选中了我”其实正是暗合着这种避免“先验”，预见真理的哲学。而“恩爱过后，就没在来找我”又反映了“生命是一团欲望，欲望不能满足便痛苦，满足便无聊，人生就在痛苦和无聊之间摇摆”的辩证价值观。

从音乐角度：

“民族的是世界的”，本则MV大片有着多元的音乐曲风，堪称是内地流行音乐的经典曲目。由于屌丝说唱的加入，让这首音乐大片也有了些农业重金属的特征，构成了独一无二的有中国特色的通俗流行歌曲。首先，风格是心灵的外观。这首歌曲曲风上大气而多情，真假声间游走的幽幽气息，疑似天籁，勾人魂魄，让人跟随着起伏的旋律徜徉在无尽的想象中。其次，多元的音乐形式。在形式上，这首MV大作舍弃了象征主义追求华丽堆砌装饰效果的糟粕，纯粹在幻觉中构筑意象，加入了大量说唱的元素，以一句句不可思议的“RAP”来增加冥想效应，这诗意般的神秘，让听者犹如堕入了幻境，如痴如醉难以自拔。丰富的音乐元素在其中也毫不互相牵制的发挥除了各自的最大能量。再次，难以抵挡的最炫舞曲风。享受音乐极速动感，慢嗨舞曲蠢蠢欲动。节奏感十足，鼓点平稳的舞曲旋律，大气磅礴的音乐与劲爆的热舞相得益彰，不得不说，他们开启了内地流行新纪元！

最后，让我来欣赏一下这则广告音乐大片吧：

后注：本文乏善可陈，仅为笔者臆想，不反应任何立场。

开播当天人气过百万，用户好评率超过90%，评论超过3000条；短短1天，该视频在新浪微博上就被转发了15000多次。这就是由罗永浩首度跨界执导，袁成杰、李呈媛主演，罗永浩、王小山等大腕客串的网络电影《幸福59厘米之小马》，该片集结了大量的“黑色幽默”,现实社会在剧中影射掀起网友热议。该片同时引发罗永浩圈中好友的集体调侃。宁财神评价说,“前十分钟，非常好看，后来很好看，再后来好看，再后来……罗永浩你虽然拯救不了中国电影，但你如果足够努力，应该会是个不错的电影工作者！”同样参与到《幸福59厘米》网络电影项目做起导演的《三联生活周刊》副主编苗炜也大赞该片“相当不错啊，老罗，改行当导演吧！”

小马 微电影高清视频

《幸福59厘米》聚合了张亚东、罗永浩、苗炜、包小柏、开心麻花、吕惠洲等6大导演，横跨音乐、唱片制作、教育、戏剧、媒体、广告等诸多领域，每位导演将拍摄与幸福有关的电影，6部短片将从不同维度诠释“幸福”的涵义。

导演：罗永浩
主演：袁成杰、李呈媛
上映时间：2011年9月22日

老罗短片《小马》：本短片是由优酷推出的《幸福59厘米》计划中罗永浩导演的作品。剧情：摇滚青年小马在有限的生命中终生尿床，与女人一起睡觉成为了他人生的奢想。每次激情过后，他只能选择逃之夭夭，直到他最爱的女人出现时…

幸福59厘米小马主题曲：

《小马》MV

Wrong Hole(我进错了洞)超级搞笑MV~~网络神曲《Wrong Hole》在线视频

I just had sex Akon feat The lonely island

Jessica Alba还有Blake Lively都有客串~~~网络神曲《I just had sex》在线视频

太搞笑了~

creep是radiohead最直白的情歌，在完美天使面前无处藏身的悲哀上升成为对自己的怨恨和对命运的愤怒。一颗脆弱的心终于无法承受感情的重负，随着Jonny的两声吉他轰鸣，我们最后的心理防线也被冲击得荡然无存。

紧凑的鼓点和沉重的贝斯贯穿始终；清晰的吉他分解和弦与高亢狂野的失真华彩交相呼应——正是爱与恨的和谐与矛盾。在这三分钟五十秒之内，我们没有思考的时间，没有喘息的机会。我们漂流在大海上，被思念的浪涛所吞噬；我们迷失在冰冷的太空中，眩目的自卑感令我们窒息….

最后乐段的钢琴加入是整首歌曲的点睛之笔。圣洁的音色和着幽怨的余音，是上帝投下了怜悯的目光，也是修整破碎心灵的坚韧。

“I don’t belong here….” 乐音已止，泪水还未来得及落下。

Creep对Radiohead歌迷来说是一道神谕，多年来它耀眼的光环从来未曾暗淡。它每一个音符所爆发出的情感与力量早已在我们的灵魂中深深的烙印上一道美丽的伤口。

radiohead creep MV

Creep中英文歌词对照：

词：Greenwood, Greenwood, OBrien …

When you were here before 过去你在这儿的时候
Couldn’t look you in the eye 我不敢看你的眼睛
You’re just like an angel 你就像天使一样
Your skin makes me cry 你的外表令我哭泣
You float like a feather 你像羽毛一样漂浮
In a beautiful world 在这个美丽的世界

And I wish I was special 所以我希望我特别
You’re so fuckin’ special 因为你是这么的特别
But I’m a creep, I’m a weirdo. 但我只是个爬虫，一个怪胎
What the hell am I doing here? 在这里我究竟是要做什么
I don’t belong here. 我，不属于这儿

I don’t care if it hurts 我不怕受伤
I want to have control 我想要主动
I want a perfect body 我想要完美的身体
I want a perfect soul 还要完美的灵魂
I want you to notice 我要你注意到
When I’m not around 如果我不在你身边

You’re so fuckin’ special 你是这么的特别
I wish I was special 所以我希望我也这样特别
But I’m a creep, I’m a weirdo. 但我只是个爬虫，一个怪胎
What the hell am I doing here? 在这里我究竟是要做什么
I don’t belong here. 我，不属于这儿

She’s running out again 她又走了
She’s running out 走了
She’s run run run running out 她走了走了走了走了
Whatever makes you happy 无论什么只要能让你快乐
Whatever you want 无论什么只要你想要

You’re so fuckin’ special 你是这么的特别
I wish I was special 我希望我也这样特别
But I’m a creep, I’m a weirdo. 但我只是个爬虫，一个怪胎
What the hell am I doing here? 在这里我究竟是要做什么
I don’t belong here. 我，不属于这儿
I don’t belong here…… 不属于这儿……

Radiohead Creep Acoustic 动画木吉他版creep

不同creep翻唱版本：

1.The Pretenders covered “Creep”, a live version is included on their “Kid” EP.
2.Tears For Fears covered “Creep” live and it appears as a b-side on their single, “Raoul And The Kings Of Spain” (Epic 1995), but the band didn’t credit Radiohead.
3.Japanese singer ACO has also covered this song on her single “heart wo moyashite.”
4.Japanese singer Shiina Ringo has also covered this song live at Club Asia in Shibuya and Ritsumei Kan in Kyoto, which have both since circulated the net.
5 In 2004 Damien Rice recorded an acoustic version of “Creep” at an Irish radio station, which has since circulated the net. He also occasionally performs the song live at his concerts.
6.Sophie Koh has covered the song, and can be found on Triple J’s cover compilation record “Like a Version”
7.Moby has covered the song on various occasions, including a performance on Late Night with Conan 8.O’Brien and at the 2003 Glastonbury Festival, which Radiohead headlined.
9.Grunge band Pearl Jam covered the song with modified lyrics.
10.This song was also covered by Richard Cheese and Lounge Against the Machine on his 2000 album, Lounge Against the Machine and on his 2006 album called, “The Sunny Side of the Moon: The Best of Richard Cheese”.
11.Jessicka Fodera’s new band Scarling. covered “Creep” and it can be found on their single “Band Aid Covers the Bullet Hole”
12.The song inspired this animation from Laith Bahrani.
13.Jeff Buckley once did a cover of “Creep” in one of his live performances.
14.Curanderos, a Mexican band, sang “Perro”, a Spanish version of “Creep”.
15.The Filipino band Parokya ni Edgar, famous for their comic themes, recorded the song “Trip” (a tribute to the Chinese delicacy siopao) using “Creep”‘s melody.
16.A version ‘sung’ by Macintosh SimpleText voice ‘Fred’ (also heard in Radiohead’s “Fitter Happier”) was released on Me and This Army, an album of Radiohead remixes.
17.Marty Casey of the Lovehammers performed “Creep” on the television show Rock Star: INXS in 2005. 　　18.Lukas Rossi from the band Rise Electric performed “Creep” on the reality television show Rock Star: Supernova in 2006. He played it as an encore as well.
19.Magni Asgeirsson of the Icelandic band Á Móti Sól performed “Creep” in an Elimination Episode on the reality television show Rock Star: Supernova in 2006.
20.Frank Bennett recorded an easy listening version on his album Five O’Clock Shadow.
21.Dustin Kensrue played the song on one of his solo tours.
22.The Arrogant Sons of Bitches played the song live on 8/13/05
23.The Scottish singer Carol Laula recorded a cover for her 2002 album, First Disciple.
24.Beck did a cover version at the Virgin V Festival and an acoustic version at the 2006 Bonnarro Music Festival
25.U2 frequently snippetted the song at the end of “Elevation” on their Elevation Tour in 2001.
26.Curanderos, a Mexican band, sang “Perro”, a Spanish version of “Creep”.
27.G4 (band), of X Factor fame, sang it for their first album.
28.Scala, a Belgian teenage cover choir, sang the song on their album “On the Rocks”.
29.Rapper Chino XL created a song by the name of Kreep sampling the lines “I’m a creep, I’m a loser, you’re so very special, I wish I was special”.
30.Australian alternative rock band The Final Straw recorded a cover to be released on their 2007 self titled EP.
31.There is a video on YouTube that plays the song Creep along with clips of Oz prisoner Donald Groves.

Creep Radiohead (covered by The Pretenders)

radiohead creep 乐评：

钟爱Radiohead的人们，有多少是从《Creep》撕开的绝望伤口开始？1993年以来，《Creep》如拥护者的“一道神谕，耀眼的光环从来未曾暗淡”。

   ——那些破碎的高亢宣泄，那些如泣的幽怨低诉，
   ——那是无法愈合的哀疮，冰冷地灼烧。
   ——那些迸裂的情绪，始终啃噬着伤口的缝隙，永不暗淡；
   ——那些从来未曾磨灭的力量，一直狠捶在胸口、心上，经久不消…

   You’re so fuckin’ special.
   But I’m a creep, I’m a weirdo.
 
没有因《CREEP》而哭过吧，印象里。

笼罩在昏黄的光晕下的舞台，阴影中那并不真切的脸。绝望？是冰冷吧，哪怕高潮时，歌声中决堤的爆裂宣泄，脸上也未浮现过多的痛或恨…而听者的血液，早已随不断飙升的声嘶力竭，涌动沸腾。
 
如果也曾落泪，一定是因那将压制的伤痛、隐忍的愤懑、无以控诉的不公、微弱的祈盼…都收纳的冰冷眼底。向上的，力竭的声嘶，向上扬起的下颌，仿若溺水的濒临窒息的孩子。
 
圣洁的向往？温暖的冰冷。这黑暗中刺眼的寓意不明的光亮，让人晕眩…  

中译的歌词版本并不少，你想了解，便可找到。碍于文化的形成背景和语言的表述习惯，我一向不太存译文。并且，那些我们所爱的，疯狂所爱的词句，只代表一种认知和象征，究竟所指何为，每个人都会有自己的感受。
 
贝司为整首基调烙上压抑和沉重，从开篇直至终章锤着胸腔的憋闷；鼓点不断地催促着一触即燃的情绪彻底迸发，从暗涌的不安直至最高点的狂躁；吉它自始至终控制着感情起伏的脉络，恍惚灼烧，恍惚冰冷；和旋和歌唱的世界里，充满了无奈怨念…愤恨狂暴…心碎绝望…祈盼希望。
 
直白的《CREEP》，无孔不入地冲击着每个因爱和美丽而自惭形秽的孩子，

从懦弱到谨慎，从控诉到祷告…领悟那些无法更替的命运；从愤怒的呐喊到小心翼翼地藏匿于黑暗…从祈盼到绝望，从恐惧到拒绝。被自卑感吞噬。
 
是否“自卑”和“破碎”便是我们成长的必修课？你是上帝的宠儿，圣洁的天使。那光芒耀眼下无所遁形的卑微，刺伤自尊。不属于华丽世界的孩子，条件反射般逃避着鄙夷和可能的伤害，学会保护那颗暗淡的心。
 
一直以来，除了MV，都不会想要单独听《CREEP》，一定要看着Thom Yorke的眼睛——这对我绝对是个例外，即便都认为女人喜欢某个乐队或人物，一定和“爱美”脱不了干系，但我还是坚持自己并没有那种趣味。况且我以为自己该是喜欢Rammstein那个类型的？
 
又或者，Thom Yorke的成长经历及情感与那些音符及词句是一体的。因此，那些卑微和残破，那些敏感和控诉，才能渗透着永不磨灭的哀伤与力量？

Prince翻唱《Creep》

Ingrid Michaelson 翻唱Radiohead名曲CREEP

Creep (Karen Souza天籁完美翻唱版)– Radiohead

经典《creep》radiohead翻唱 林宥嘉 张芸京 蔡健雅 陈奕迅 谢安琪 曾轶可creep

You and I (MV Video Music Awards 2011) 现场版– Lady Gaga & 2011年第28届MTV音乐录影带大奖

音悦台Lady Gaga – You and I (Live MTV Video Music Awards 2011)

LadyGaga惊艳男人造型为VMA开场，演唱《You And I》

LadyGaga“男人装”You and I MV高清：

“Mr”Gaga献吻布兰妮

尽管奖项上略逊凯蒂·佩里，但Lady Gaga到底还是吸引眼球的高手，她用出人意料的“坏小子”形象再度颠覆人们的想象。开场表演时她穿了件白T恤，化了略带胡碴儿的“男人装”劲歌热舞High翻全场，作为颁奖嘉宾登台时，她又套上大号男式西服，耳朵夹着卷烟，坏坏地当众吻了获奖的小甜甜。除了秀造型，她自己也收获了最佳女歌手录影带和最佳录影带资讯两项大奖。

除此之外，MTV音乐奖还为一个月前英年早逝的英国歌手艾米·怀恩豪斯特设了致敬环节。

凯蒂·佩里很有派“头”

颁典礼上，最近两年走势迅猛的凯蒂·佩里凭借三奖力压关注度更高的Lady Gaga，成为最大赢家，其中包括压轴大奖“年度最佳录影带奖”。作为收获最多的人，凯蒂·佩里烫了一个复古发型出现，分别秀了三套装扮，首先在红毯上，她撑着一把油纸伞穿着旗袍装玩起了中国风，而领取压轴大奖的时候则头顶一块黄色的“积木”，配合上世纪六十年代的职业装，夸张中带着几分优雅，后台接受记者采访时，她把黄色积木换成了镶钻的唱机，再度让人眼前一亮。

除了大赢家凯蒂·佩里，“秀甜蜜”和“中性风”则成了其他艺人的关键词。刚刚公布“孕事”的碧昂丝在表演环节走了一把中性路线，暗红西服配一头金发，在舞台上活跃的模样让人看不出她已怀孕。而贾斯汀·比伯和女友赛琳娜在红毯上也是相拥而行，又大秀了一次恋情。

28届mtv录影带现场，gaga姐能不能不要这么帅！

Erika Jayne 性感的舞步

专辑名称：Pretty Mess (Club Remixes)
专辑流派：Dance
发行年月：2010.04.20
发行厂牌：Koch
压缩码率：iTunes plus AAC，256kbps
压缩大小：109mb
国家语言：美国，英语
相关链接：MySpace|Website|wikipedia|Last.fm

相关简介：

Erika Jayne 是一个美国电子舞曲歌手，她目前生活在加利福尼亚的LA，但他却出生并成长于Atlanta, Georgia，Jayne 从小就受她母亲与祖母的影响支持着她的事业，在2007年以一曲“Rollercoaster”登上了美国 Billboard Hot Dance Club Play排行榜。在2008年，她又以一曲“Stars”冲回Billboard’s Hot Dance Airplay 排行榜。”Give You Everything”, “Rollercoaster” and “Stars”会被收录于她的首张专辑Pretty Mess。

Erika Jayne is an American Dance/Electronica singer/dancer who currently lives in Los Angeles, California, but was born and raised in Atlanta, Georgia.
Jayne, whose talented influences from her mother and grandmother inspired her career, made her arrival on the club music scene in 2007 with the electro-hued track “Rollercoaster”, which went to number one on the U.S. Billboard Hot Dance Club Play chart. In 2008 her follow up, “Stars,” reached number one on Billboard’s Hot Dance Airplay chart. “Give You Everything”, “Rollercoaster” and “Stars” will also be featured on her debut album Pretty Mess, which will be released August 11, 2009.She attended North Atlanta High School for the Performing Arts.Working with veteran producers, Peter Rafelson (Madonna/Britney/Stevie Nicks) and Eric Kupper, Erika Jayne has recorded her debut album. Her music is already featured in theatrically released films – “Deal” & “The Neighbor”.

专辑曲目：
01.Pretty Mess (Dave Aude Club)
02.Pretty Mess (DJ Escape & Johnny Vicious Mix)
03.Pretty Mess (Tracy Young Club)
04.Pretty Mess (Bill Hamel Remix)
05.Pretty Mess (KlubJumpers Extended Remix)
06.Pretty Mess (Larry Tee & Per QX Mix)
07.Pretty Mess (Marshall Stack Remix)
08.Pretty Mess (Rafelson Electro Club)

视频: Erika Jayne – One Hot Pleasure

Erika Jayne – Give You Everything (Remix)

美国跳舞榜冠军Erika Jayne – Pretty Mess HD

这位来自美国的跳舞和电子歌手Erika Jayne 的单曲Pretty Mess，由上周的美国billboard跳舞榜第3位，跃升到本周冠军位置，将上周Christina Aguilera的Not Myself Tonight才仅仅一周的冠军挤落到第7位。
单曲介绍：
Erika Jayne is an American Dance/Electronica singer/dancer who currently lives in Los Angeles, California, but was born and raised in Atlanta, Georgia.
Jayne, whose talented influences from her mother and grandmother inspired her career, made her arrival on the club music scene in 2007 with the electro-hued track “Rollercoaster”, which went to number one on the U.S. Billboard Hot Dance Club Play chart. In 2008 her follow up, “Stars,” reached number one on Billboard’s Hot Dance Airplay chart. “Give You Everything”, “Rollercoaster” and “Stars” will also be featured on her debut album Pretty Mess, which will be released August 11, 2009.
She attended North Atlanta High School for the Performing Arts.
Working with veteran producers, Peter Rafelson (Madonna/Britney/Stevie Nicks) and Eric Kupper, Erika Jayne has recorded her debut album. Her music is already featured in theatrically released films – “Deal” & “The Neighbor”.
美国跳舞榜top 10（dance/ club play song）截至2010/6/20/
1.Pretty Mess—Erika Jayne
2.Alejandro—Lady Gaga
3.OMG—-Usher Featuring will.i.am
4.Commander—Kelly Rowland Featuring David Guetta
5.Rock That Body–The Black Eyed Peas
6.Happiness—Alexis Jordan
7.Not Myself Tonight–Christina Aguilera
8.Dirty Talk—Wynter Gordon
9.Beauty In The World—Macy Gray
10.Gettin’ Over You—David Guetta & Chris Willis Featuring Fergie & LMFAO

Having scored two #1 singles with “Rollercoaster” and “Stars”, Erika Jayne proves to the world that she is one to watch when her third single “Give You Everything” tops Billboard Dance Chart. With 33 radio adds in the first week, she has also passed hitmakers Lady GaGa and The Pussycat Dolls to be crowned Billboard Breakout Artist of the Week.

AceShowbiz.com has got the chance to have a chat with the singer who has been called to be the next Madonna. In the exclusive interview, she opens up about her childhood memory, how 2009 becomes the year for her to release the debut album “Pretty Mess”, and many more.

ASB: With your three chart topping club singles as proof, it looks like that you’re ready to take the dance world by storm. Have you ever imagined that you would be this big?

Erika Jayne: You always hoped to do well, but this success has been really great. So, I’m pleasantly surprised.

ASB: How is it like being crowned Billboard Breakout Artist of the Week?

Erika Jayne: It feels really good. It feels amazing.

ASB: Each year you came up with a new single starting with “Roller Coaster” in 2007. Do you have a reason behind it?

Erika Jayne: No, they were three good songs that came about, and we released them. And, they did…they had their own life. They did very well.

ASB: Why wait three years before coming out with “Pretty Mess”?

Erika Jayne: I don’t know that I was waiting. I was working, creating all at the same time. And, it’s just so happen that this was the timing.

ASB: Your upcoming album is being compared to Madonna’s work circa “Ray of Light”, calling yours to be “fresh with enough variety to hold ones’ interest”. Do you think so too?

Erika Jayne: I think I made the music I wanted to make. I’m pleased with the outcome and I think that’s a very nice comparison.

ASB: Every song in the album has its own characteristics and style. So, how would you describe your music overall?

Erika Jayne: This album is about fantasy, love and escape. And, having a good time, dancing around and feeling good.

ASB: What is the most challenging part in making music for your new album?

Erika Jayne: I think just exploring more, taking more risk and being willing to spread your wings a little bit and try new things.

ASB: What do you want to achieve with this new album in terms of making your mark in the industry?

Erika Jayne: My goal is to always have a good time and to make music that people responds to and that I like.

ASB: Is there any secret collaboration that we need to know in this record?

Erika Jayne: No, not yet.

ASB: About the title of your new album “Pretty Mess”, is there any specific message that you try to convey to your fans?

Erika Jayne: “Pretty Mess” is just a description. Sometimes you are a princess, sometimes you are a temptress and sometime you are a pretty mess.

ASB: Do you remember the first song you wrote?

Erika Jayne: No, I don’t. Probably when I was a kid. But, I feel fortunate to have written a third of this album.

ASB: What was the inspiration behind four songs you wrote for “Pretty Mess”?

Erika Jayne: I think just my personal experiences, things that I’ve seen and I’m pretty visual for the things that are around me.

ASB: As your idol, how big would you describe Prince’s influence on your music?

Erika Jayne: You know, I’ve always loved the erotic quality of Prince. I just think he’s a musical genius and I’ve always admired everything that he’s done.

ASB: How is it working with his protege Sheila E. on “Time to Realize” feel like?

Erika Jayne: She’s amazing. She’s an amazing musician, but more importantly she’s a really special human being and very nice person. And, [she] could not have been nicer to me. I don’t have enough nice things to say about her.

ASB: What drew you to pop/dance music in the first place?

Erika Jayne: I think, you know, I grew up MTV generation, under Madonna and all of those great people [like] Michael Jackson and Prince. They were huge influences on me. And, club music when I started going to clubs. That’s a natural progression. Something that I like.

ASB: As a pianist, does your mother affect you in terms of music, career-wise?

Erika Jayne: You know, one of my special childhood memories is waking up on the weekend and listening to my mother playing downstairs. She was classical pianist. So, we would have all these beautiful classical music in the house and that was such a wonderful feeling. So, sure. She’s been an influence on my musical career.

ASB: Is there any plan to release another single this year?

Erika Jayne: Oh, perhaps, sure. I’m always creating. I’m in the studio now and you never know, you may come up with something really great.

ASB: When will you start the tour?

Erika Jayne: I’m performing tonight [August 6] in Hollywood. I’ll be next week in New York City and Atlantic City. Early September in Las Vegas. And, then we will start looking at the rest of the world very soon.

ASB: Can you share on how and when were you signed to your current recording company E1 Music?

Erika Jayne: No, I cannot. They are great company and I feel very fortunate to be with them.

ASB: Beside preparing to release your new album, do you have another project?

Erika Jayne: [Pretty Mess] consumes my time right now, performing and getting the music out there. And, letting people see what we’re doing is pretty much keeping me busy right now.

ASB: Contributing to other artists’ work maybe?

Erika Jayne: Sure, I’d love to collaborate with the right person.

ASB: What do you think about collaborating with musicians from different genres?

Erika Jayne: I think it would be fantastic.

ASB: Any plan to do such thing?

Erika Jayne: There’s no plan right now.

ASB: You wrote on MySpace that you are extremely passionate about fashion and fashion trends. Do you have plan to make your own fashion line if you get the chance?

Erika Jayne: I’ve thought about it. I’m busy, but if the time comes up, sure. There’s certain things that I really like that I think I could design that other woman would like as well.

ASB: You appear to be flirty and seductive in your singles’ music videos. Do they represent your true personality?

Erika Jayne: Flirty and seductive? I’d say that’s definitely a part of my personality. Sure.

ASB: Are there any other things we need to know?

Erika Jayne: You know, I think that I’m so excited about August 11, the release of my album. I’m excited about the shows coming up and I continue to create. I hope that everyone enjoys it and to remember to dance and love each other.

ASB: If you were to experience a great love affair, which celebrity would you pick to have an affair with?

Erika Jayne: Do I have to pick just one? [Laugh] No, I won’t tell. I have a secret crush, but I won’t tell.

ASB: Have your skills as a ballet dancer helped you on your stage performance?

Erika Jayne: I would think so. Sure, without a doubt.

ASB: Will you incorporate it into one of your music videos?

Erika Jayne: Not necessarily ballet, but certainly dance.

ASB: Before we end, could you please give a shout out to your fans at AceShowbiz?

Erika Jayne: Hey, this is Erica Jayne. And, I’d like to give a shout out to everybody at AceShowbiz!

创意MV：世界名画遭恶搞

惡搞24副名畫MV《70 Million》：

00:00《最后的晚餐》——达芬奇 00:33《维纳斯诞生》——波提切利00:44《蒂尔普医生的解剖课》——伦勃朗00:50《亨利八世》——小汉斯·荷尔拜因（左）《戴珍珠耳环的少女》（右）——维米尔01:05《梅杜萨之筏》——泰奥多尔·籍里柯01:15《马拉之死》——路易·达维特01:20《创造亚当》——米开朗基罗 01:25《男人之子》——勒内·马格里特01:27《红黄蓝的构成》——蒙德里安01:30《自画像》——弗里达·卡罗（这个不确定）01:32《多拉·玛尔》——毕加索01:36《呐喊》——爱德华·蒙克01:39《自画像》——梵高01:42《玛丽莲梦露》——安迪·沃霍尔01:44《浴中加布莉埃尔与她的一位姐妹》—佚名（法国枫丹白露画派）01:48《宝座上的圣母》01:58 乔而乔内 《沉睡的维纳斯》