摄影作品《星期六的晚上》中描绘了一个偷窥者的幻想：在一间酒店的66个不同房间里，透明的落地窗暴露了住客的所有秘密。摄影师花费四年时间搭建酒店模型，精心布置了每个房间的不同场景，性、毒品，变态的SM性爱,同性恋,畸恋,吸毒,性虐,失落寂寞的机长,抱着性爱娃娃看电视的中年男子……人类丑恶的一面都在这66间房间中暴露无遗，而摄影师采用的偷窥视角让观者似乎亲临现场，正躲在酒店对面的窗户后冷眼旁观这一切。

The photographs of In Sook Kim (born 1969 in South Korea) examine how we give meaning to the rooms we live in, how we use furniture, decor, television, computers, sex, alcohol and pharmaceuticals in our futile attempts to fill inner voids–and how those rooms reflect these voids back at us.

Kim’s Edward Hopper-esque settings are constructed with a loving attention to detail, and lit with an eerie glow, so that they function as deliberately artificial mini-theatres in which human subjects seem intrusive or uneasy, perhaps imprisoned by society’s designation of Saturday night as party night. These works were recently exhibited at New York’s Gana Art Gallery, to much acclaim.

一组性感香艳的人性摄影

一组性感香艳的人性摄影

韩国摄影师In Sook Kim官方网站：http://www.kiminsook.com/

[请保留：后时代 http://www.houshidai.com/]